![]() Signification which once held the play together). Structural literalism of the film: what it has done to Hamlet (violating, shattering, and dispersing the text) and what Hamlet does to it (incalculably and improbably piercing the narrative and lodging in the cinematic eye the bits of structure and The ‘skull in the eye’ is an emblem of the selective ![]() Moments from Hamlet, demeaning the canonical work and profaning the preserve of high culture. The episodic film offers up carnivalesque and vulgarizing ‘riffs’ on scenes, speeches, and ![]() Of a variety of popular film genres, and in doing so, recaptures some of the heterogeneity, the popular appeal, and the ludicĮnergies of Shakespeare’s play. ![]() Both an homage and a travesty, the film crosses a sampling of the most familiar and archetypal moments from. Irreverently disregarding the letter of Shakespeare’s text, Let the Devil Wear Black nevertheless preserves something of Hamlet’s spirit, particularly its elements of satire, parody, and burlesque that often seem vitiated in important or ‘legitimate’Ĭinematic renditions of the play itself.
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